Using printmaking as a medium of exploration and process to inform image making, the work in this exhibition investigates how process is linked to the development of the idea. Through observing, collecting and recording the urban and natural, and where they interconnect, they have built their own vocabularies of shapes, marks and textures that relate to their personal observations. They share an engagement with drawing process as a means to an end. Avison and Willberg’s prints interpret the physical differences of printmaking process to focus on the elements that are often overlooked.
Avison’s drawings are informed by looking for and finding similarities across landscapes, large and small, urban and natural. Her drawing practice explores texture, shape and the patterns thrown up by repeated looking. The recent prints come out of many sketchbook drawings, and they also recycle and rework previous images, exploring both the internal catalogue of observation and memory, and new marks that come out of the physical process of making prints to invent new landscapes.
Willberg’s work plays with an assemblage of shapes and grids that have taken inspiration from discarded objects she has observed and recorded from the city streets. Through a range of mediums including intaglio, relief and screen printing these different objects have adopted new characters and are now identified by their shape and interaction with colour, rather than their previous function or use. Sitting together they play with form and textures sometimes recognisable to us but always on our peripheries.
- Private view: 4 November, 6.30 to 8.30pm
- Artists’ talk: 13 November, 3.00 to 4.00pm
- Closing party: 27 November, 2.00 to 4.00pm